Structuralist Narratology underscores theoretical and typological ideas and interests in narratives. Novelists employ various narrative modes to embellish their style of writing and captivate the attention of readers. They exemplify their power of creativity through narrative multiplicity. Interpretation of novels is closely associated with the special way in which a narrator uses language in texts. This paper examines the narrative language of George Fox’s Amok with focus on literary stylistics. The main objective of this paper is to explore and delineate George Fox’s narrative skills as a unique modern American novelist and how he applies narrative multiplicity in his novel, Amok. The literariness of this thriller cum novel lies in its structure and the effective use of language in describing events and analysing characters. The assertion that the novel’s capacity to represent plurality of voices or languages depends on the style of the novelist and his skill as an individual author undergirds this paper. Narratological concepts of Genette and Bal as guiding principles were essential reference points. Extracts from the novel served as primary data and the analytical procedure adopted was critical examination of textual content. Analysis identifies three forms of narrative multiplicity: mobile focalization, voice heteroglossia, and historical analepses and methodology that is, the application of Genette and Bal models to five excerpts from the novel, Amok. The study concludes that the interpretation and understanding of Amok are based on narratological features such as linguistic, figurative and semiotic representation exemplified by the novelist’s captivating style, his choice of words and the portrayal of the human-monster character.
| Published in | International Journal of Literature and Arts (Volume 13, Issue 6) |
| DOI | 10.11648/j.ijla.20251306.14 |
| Page(s) | 139-153 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2025. Published by Science Publishing Group |
Amok, Literary Stylistics, Narrative, Narratology, Narrative Multiplicity, Structuralism
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APA Style
Kyiileyang, M. (2025). Narrative Multiplicity as Ideological Deconstruction in George Fox’s Amok. International Journal of Literature and Arts, 13(6), 139-153. https://doi.org/10.11648/j.ijla.20251306.14
ACS Style
Kyiileyang, M. Narrative Multiplicity as Ideological Deconstruction in George Fox’s Amok. Int. J. Lit. Arts 2025, 13(6), 139-153. doi: 10.11648/j.ijla.20251306.14
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Download@article{10.11648/j.ijla.20251306.14,
author = {Martin Kyiileyang},
title = {Narrative Multiplicity as Ideological Deconstruction in George Fox’s Amok},
journal = {International Journal of Literature and Arts},
volume = {13},
number = {6},
pages = {139-153},
doi = {10.11648/j.ijla.20251306.14},
url = {https://doi.org/10.11648/j.ijla.20251306.14},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20251306.14},
abstract = {Structuralist Narratology underscores theoretical and typological ideas and interests in narratives. Novelists employ various narrative modes to embellish their style of writing and captivate the attention of readers. They exemplify their power of creativity through narrative multiplicity. Interpretation of novels is closely associated with the special way in which a narrator uses language in texts. This paper examines the narrative language of George Fox’s Amok with focus on literary stylistics. The main objective of this paper is to explore and delineate George Fox’s narrative skills as a unique modern American novelist and how he applies narrative multiplicity in his novel, Amok. The literariness of this thriller cum novel lies in its structure and the effective use of language in describing events and analysing characters. The assertion that the novel’s capacity to represent plurality of voices or languages depends on the style of the novelist and his skill as an individual author undergirds this paper. Narratological concepts of Genette and Bal as guiding principles were essential reference points. Extracts from the novel served as primary data and the analytical procedure adopted was critical examination of textual content. Analysis identifies three forms of narrative multiplicity: mobile focalization, voice heteroglossia, and historical analepses and methodology that is, the application of Genette and Bal models to five excerpts from the novel, Amok. The study concludes that the interpretation and understanding of Amok are based on narratological features such as linguistic, figurative and semiotic representation exemplified by the novelist’s captivating style, his choice of words and the portrayal of the human-monster character.},
year = {2025}
}
TY - JOUR T1 - Narrative Multiplicity as Ideological Deconstruction in George Fox’s Amok AU - Martin Kyiileyang Y1 - 2025/12/09 PY - 2025 N1 - https://doi.org/10.11648/j.ijla.20251306.14 DO - 10.11648/j.ijla.20251306.14 T2 - International Journal of Literature and Arts JF - International Journal of Literature and Arts JO - International Journal of Literature and Arts SP - 139 EP - 153 PB - Science Publishing Group SN - 2331-057X UR - https://doi.org/10.11648/j.ijla.20251306.14 AB - Structuralist Narratology underscores theoretical and typological ideas and interests in narratives. Novelists employ various narrative modes to embellish their style of writing and captivate the attention of readers. They exemplify their power of creativity through narrative multiplicity. Interpretation of novels is closely associated with the special way in which a narrator uses language in texts. This paper examines the narrative language of George Fox’s Amok with focus on literary stylistics. The main objective of this paper is to explore and delineate George Fox’s narrative skills as a unique modern American novelist and how he applies narrative multiplicity in his novel, Amok. The literariness of this thriller cum novel lies in its structure and the effective use of language in describing events and analysing characters. The assertion that the novel’s capacity to represent plurality of voices or languages depends on the style of the novelist and his skill as an individual author undergirds this paper. Narratological concepts of Genette and Bal as guiding principles were essential reference points. Extracts from the novel served as primary data and the analytical procedure adopted was critical examination of textual content. Analysis identifies three forms of narrative multiplicity: mobile focalization, voice heteroglossia, and historical analepses and methodology that is, the application of Genette and Bal models to five excerpts from the novel, Amok. The study concludes that the interpretation and understanding of Amok are based on narratological features such as linguistic, figurative and semiotic representation exemplified by the novelist’s captivating style, his choice of words and the portrayal of the human-monster character. VL - 13 IS - 6 ER -
Department of English Education, University of Education, Winneba, Ghana
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